Since 2000, Anne Wenzel has been building an oeuvre of ceramics, fearlessly diverting its tradition into remarkable sculptures with a brutal sense of decay. Drawing her inspiration from art-history, Wenzel is intrigued by the symbolic language behind heroism and violence, and the extravagant spectacle that tends to accompany these subjects. Her sculptures are often described as modern-day Vanitas, subsequently undermining their own heroic aura. When looking at Wenzel’s sculptures of people and animals, is it as if witnessing some horrific event taking place. In contrast, her apocalyptic landscapes show the dreadfully calm remains of an action, rather than the action itself. In her new series of work, Wenzel focuses more on the language that lurks behind the heroism of war memorials. Her monumental florals and wreaths, a universal symbol for celebration and the commemoration of war, are frozen in a state of decay. She unmasks the monument and, through the medium of clay — which she uses unconventionally and without regard to national borders – shows that all ideologies and even personifications of power display identical stylistic and linguistic characteristics.
Under Construction (Make War), 2018, ceramics, metal plinth (photo: Anders Sune Berg)
Anne Wenzel (1972, Schüttorf, Germany) studied at the Academy for Visual Arts and Design in Enschede (NL). Her work is shown at leading art institutions in the world. Previous solo exhibitions were held in, among others, Princessehof Leeuwarden (2017), Rijksmuseum Twenthe (2015); TENT Rotterdam (composed by Daria de Beauvais, 2014); Villa Roth, Germany (2010), Museum Boijmans van Beuningen, Rotterdam (2010); Stedelijk Museum Den Bosch (2008); Kunstvereniging Diepenheim (2007); Buro Leeuwarden (2006) and The Agency, London (2006). Wenzel was part of group exhibitions at, among others, Museum Jorn, Silkeborg (2018); Triennial for Contemporary Art, Duffel (2018); Rijksmuseum Twenthe (2018); 60th Faenza prize, Faenza (2018); Stedelijk Museum, Schiedam (2017); 9th Gyeonggi International Ceramic Biennale, Korea (2017); Park de Oude Warande, Tilburg (2016); Bonnefantenmuseum Maastricht (2015); Hetjens Museum Düsseldorf (2015); Kunstmuseum Bornholm (European ceramic context, 2014); Stedelijk Museum ‘s Hertogenbosch (Collection Presentation, 2013); Stedelijk Museum Schiedam (Collection presentation, 2013); Carré St-Anne, Montpellier (‘Sign of the time’ curated by Richard Leydier, 2013); La Galerie des Galeries (‘Into the Woods’ curated by Daria de Beauvai); Fondation Ricard, Paris (2011); Shepparton Art Gallery award (2010), Stedelijk Museum for contemporary art, Ghent (2008) and Museum Boijmans van Beuningen, Rotterdam (2007). Her works are included in many public and private collections, including Museum Boijmans van Beuningen, Princessehof, Leeuwarden, Stedelijk Museum Schiedam, Stedelijk Museum Den Bosch, S.M.A.K Ghent, and Frac Auvergne. Wenzel is one of the artists filmed for the series ‘Dutch Masters of the 21st Century’. She lives and works in Rotterdam.
Beelden, 2018 – Landgoed Anningahof
12 May – 21 October
Ars Longa,Vita Brevis
semi-permanent collection presentation until june 2021
Rijksmuseum Twenthe, Enschede, NL
Vers de nouvelles aventures !
23 June – 27 July, 2018
Galerie Suzanne Tarasieve, Paris, FR
Monument D’Artagnan (a commission by the City of Maastricht)
inaugurated 23 June, 2018
Waldeckpark, Maastricht, NL
60th Faenza Prize
29 June – 9 October
MIC, Faenza, IT
Biennaled’art contemporain d’ Anglet 2018 – curated by Richard Leydier
24 August – 4 November, 2018
Chambres d’ Amour, Anglet, FR
I can’t believe I still have to protest this shit
8 September – 27 October, 2018
AKINCI, Amsterdam, NL