Through her work, Lungiswa Gqunta grapples with the complexities of the South African post-colonial cultural and political landscape. Focusing on creating multi – sensory experiences that attempt to articulate the social imbalances that persist as a legacy of both patriarchal dominance and colonialism, Gqunta exposes different forms of violence and the systemic inequality in South Africa. Informed by her upbringing in a shebeen household in the suburb of New Brighton, Port Elizabeth, South Africa, Gqunta is no stranger to the economic legacy of the apartheid regime. Issues of inequality, gender violence and substance abuse as cultivated through the South African Dop system, are all subjects that come under Gqunta’s scrutiny. Working primarily with found materials; empty beer bottles, petrol, torn bed sheets and worn wooden bed frames, Gqunta’s work confronts the viewer with a series of uncomfortable negotiations. Between masculine and feminine, the revolutionary and the oppressed and the haves and the have nots, her work unflinchingly cuts through idealized notions of domestic space, enclaves of privilege and political apathy. Gqunta’s media of choice: broken glass, razor wire and concrete, are all ubiquitous to an urban township landscape and Gqunta utilizes these emotionally loaded materials to great effect, so that both the potential threat of violence and its aftermath are deftly balanced in her work. Her installations combine these elements with ‘softer’ materials like cotton sheets and soft spoken voices, which in turn carry layers of meaning, history; a contrast of violence and warmth.
Building Mountain, clay, rusted iron, size variable, at Rijksacademie Open Studios 2021
Lungiswa Gqunta (b.1990) is a visual artist working in performance, printmaking, sculpture and installation. Gqunta has been in residence at the Rijksakademie van beeldende kunsten in Amsterdam (2019-2021). In 2019, AKINCI presented both her installations ‘Feet under Fire’ and ‘Sleeping Pools’ within the exhibition ‘Heroines Now’. Gqunta has also obtained her undergraduate degree at the Nelson Mandela Metropolitan University in 2012 and her MFA at the Michaelis School of Fine Arts in Cape Town in 2017. In addition to her practice, Gqunta is one of the founding members of iQhiya, with whom she participated in Documenta 14 and Glasgow International. She has participated in the Manifesta 12 (2018) and the 15th Istanbul Biennial (2017) and has also been included in the group exhibition ‘Not a Single Story II’ at the Wanas Konst Museum in Sweden. She has been actively involved in the South African art scene, having exhibited with both the Zeitz Museum of Contemporary African Art and the Johannesburg Art Gallery (JAG), as well as held two solo exhibitions, Qwitha (2018) and Qokobe (2016), with WHATIFTHEWORLD gallery in Cape Town, SA. Her work forms part of the public collections of the Kunsthal Zurich, Nelson Mandela Metropolitan University, The University of Cape Town and Zeitz MOCAA and Centraal Museum Utrecht (NL). In 2021, Lungiswa Gqunta will have a solo exhibition at the Museum für Moderne Kunst, Frankfurt am Main, DE. Lungiswa Gqunta is represented by WHATIFTHEWORLD, Cape Town and AKINCI, Amsterdam.
The botanical revolution
Curated by Laurie Cluitmans
11 September – 9 January, 2021
Centraal Museum, Utrecht, NL
Tending to the harvest of dreams
21 August – 14 November, 2021
Zollamt, MMK, Frankfurt, DE
History’s Footnote: on Love and Freedom
Curated by Khanyisile Mbongwa
2 October – 28 November
Marres, Maastricht, NL