Inge Meijer’s works transport the viewer to a familiar environment that still manages to feel strange. At the core is the uneasy relationship between humankind and its surroundings. An environment that lives and breathes but which humankind continuously tries to bend to its will. Ostensibly, Meijer aims at the ‘little’ things and the daily actions with which we express our concerns, our dreams and yearnings, and cherish our illusions. Complex phenomena are converted into clear, iconic images. Using a certain amount of self-mockery, she examines humankind, which is continuously arranging, cultivating and shaping its habitat. Plausible fiction or implausible facts are depicted, displaying a down-to-earth look at astonishing things or an astonished look at simple things. Inge Meijer places her viewer at a distance, which in her case has an alienating effect. She creates the illusion that we can view everything, yet although we see things as they are, we are wrong-footed by the combination of the individual elements. This bestows an almost absurd character upon the films, allowing them at the same time to be affectionate.
Inge Meijer
Nothing is Something to be Seen, exhibition overview at AKINCI, 2021, photo by Peter Tijhuis
Work
Inge Meijer
Biography
Inge Meijer studied Fine Art at ArtEZ University of the Arts in Arnhem. In 2017 she completed her two-year residency at the Rijksakademie van Beeldende Kunsten in Amsterdam, where her films and installations where highly acclaimed during the Open Studios. She participated in the ACC-Rijksakademie Dialogue and Exchange program in Gwangju, South Korea(2019) and was awarded a fellowship by the Society of Arts for an residency at the NIAS (Netherlands Institute for Advanced Studies). Her work has been exhibited at the Stedelijk Museum Amsterdam, UNSEEN, Museum Arnhem, Asia Culture Centre in Gwangju, South Korea, and Australian Centre for Contemporary Art in Melbourne, Australia. Her publication, “The Plant Collection”, was selected for The Best Dutch Book Designs 2019. She has had solo exhibitions at Viervaart, NL (2024); Concordia, NL (2022); HHH dimension cultural, CO (2018). Recent group exhibitions have been at Ruigoord, NL (2023); Stedelijk Museum Schiedam, NL (2022); Australian Centre of Contemporary Art, AU (2021); La Marchéchalerie, FR (2021); KF Global Center, KR (2021). Next year (2025/2026) she is selected for the ISCP (International Studio & Curatorial Program) residency in New York, USA.
Videos
News
We are very proud to announce the publication of Inge Meijer’s book The MoMA Plant Collection. It includes 340 photographs and drawings of exhibitions at the New York institution, in which plants feature among the works. Inge Meijer wants to render museum plants visible once again, to make us aware of their real as well as metaphrical importance.
The book is now available for purchase at the gallery.
112 pages
ISBN 9789464460537
Price €32
renan@akinci.nl (for orders)
We are proud to announce that the Fries Museum in Leeuwarden has acquired multiple works by Inge Meijer, a.o. the film Car Garden (2021).
EARTH – A collective landscape
From 18 September onwards
AkzoNobel Art Space, Amsterdam, Netherlands
Presenting The Plant Collection (2019, Roma Publications) & The MoMA Plant Collection (2024, Roma Publications)
Thursday 12 December, 12 – 1 pm
Huis van het Boek, Den Haag, Netherlands
Press
- Eerherstel voor de kamerplant in de expositie van Inge Meijer - Het Parool
- De laatste sanseveria - De Groene Amsterdammer
- Tot de jaren zeventig stond het Stedelijk Museum vol met kamerplanten - Trouw
- Ooit stonden er planten in het Stedelijk Museum in Amsterdam - de Volkskrant
- Het plantenleven in het museum - Het Parool
- Hoop en Huiver – met Ingrid van de Linde naar Moving Closer van Inge Meijer in VierVaart - Mister Motley
- Maria Barnas in gesprek met Inge Meijer over ‘Moving plants’ en de tijd waarin musea nog ruimte gaven aan planten - Mister Motley
- ‘Een archief is nooit compleet’ – in gesprek met Inge Meijer - Mister Motley